When tickets for Kacey Musgraves’ Portland show went on sale last fall, I wasted no time getting mine. I’d missed her on a couple of previous visits to the city, and I didn’t want it to happen a third time.
Well, talk about great timing. Monday night’s sold-out show at the Arlene Schnitzer Concert Hall brought Kacey to town riding high on her Grammy Award-winning laurels of the previous weekend: Album of the Year, Best Country Album, Best Country Song, Best Country Solo Performance.
During a 90-minute set, she drew heavily from “Golden Hour,” her third and most accomplished album yet. She was great, almost effortlessly so.
I’ve been a fan of Kacey since she burst onto the scene in 2013 with “Same Trailer Different Park,” the debut album that earned her Best Country Album along with Best Country Song (Merry Go ‘Round) at the 2014 Grammys. It was a track from that same album, “Follow Your Arrow,” that I especially liked — a song that’s as un-country as you can imagine, with references to marijuana and a girl-on-girl kiss.
Kacey hails from a small town in Texas, and her voice is unmistakably country. Yet she continues to evolve as a songwriter with a sound that ranges from classic country to pop to ethereal to disco — yes, disco.
On Monday, I found myself appreciating several songs with lush melodies built on layers of instrumentation.
During mid-show introductions of her excellent band members, there were the usual ones on guitar, drums and bass, but also on banjo, pedal steel guitar, cello and keyboards.
Kacey says of her music: “Undeniably, I’m a country singer; I’m a country songwriter. But I feel like I make country music for people who like country music and for people who don’t.”
If you’ve never heard Kacey Musgraves, give a listen to the videos below, recorded live in Los Angeles, London and New York. All are from the new album. “Wonder Woman” is mid-tempo. “Golden Hour” is mellow. “High Horse” is a throwback to the days of disco. It’s the song she saved for last Monday night, the one that got everyone out of their seats.
From my seat in the upper balcony, I could hold my thumb and forefinger an inch apart and squint toward the stage, where I could see Kacey: a distant, slender figure in a shimmery outfit, with long dark hair and a relaxed stage presence that invited everyone to enjoy a golden hour and a half of wonderful music.
She calls herself @spaceykacey on Instagram, but she came across as pretty down-to-earth to me, relaxed and relatable.
At just 30 years old (yikes, one year younger than our youngest child), Kacey Musgraves has already collected six Grammys and won a worldwide following. I don’t know what she’ll do to top “Golden Hour,” but I’m pretty sure she’ll find a way.