As one year ended and another one started, Lori and I found ourselves with enough free time to watch a few movies, both at home and at the theater.
No lengthy reviews here. Just a quick thumbs up for each of these four:
Florence Foster Jenkins. Took a stab at this on Netflix, based solely on the fact of knowing that Meryl Streep had been nominated as Best Actress — her record 20th Oscar nomination — for her role in this 2016 film.
The unlikely premise: Jenkins is a wealthy New Yorker and patron of the arts who longs to become an opera singer despite an obvious issue: She has a terrible singing voice. Yet she’s encouraged by her voice coach and her husband, skillfully played by Hugh Grant. Meryl is marvelous in this based-on-a-true-story tale, making you want to root for her despite her dreadful voice.
The Big Sick. A charming story, released last year and also based on real life, that centers on the cultural clashes that ensue when a Pakistan-born comic (Kumail Najiani, playing himself) falls in love with an American graduate student (Zoe Kazan) named Emily.
Kumail’s parents are committed to the tradition of an arranged marriage — humorously so, given the parade of Pakistani women who “just happen to be in the neighborhood” when the family is sitting down to dinner. But when Emily falls seriously ill, Kumail not only has to meet (and win over) her parents at the hospital, he also has to confront his folks about his feelings for the girlfriend they don’t know about. (Thank you for the recommendation, Elaina Anders.)
Loving Vincent. This movie, also released in 2017, is both gorgeous and intriguing. This is a story that’s told in exquisite oil-painted animation — the work of more than 100 professional artists — and a plot that revolves around the mysterious death of the famous painter Vincent van Gogh.
A young man is entrusted with hand-delivering the artist’s final letter to his brother, Theo, in the French village where van Gogh last resided. What the young man perceives as an annoying task becomes a fascinating opportunity to learn more about van Gogh from the many townspeople who knew Vincent and in some cases modeled for him and inspired his art. The visuals are lush and the story raises more questions than it answers. Be sure to see it on the big screen, as we did. (Thank you for the recommendation, Patricia Conover.)
He Loves Me, He Loves Me Not. Imagine sweet-faced Audrey Tautou in the role of a young art student who’s in love with a married cardiologist — or at least thinks she is. Is the relationship real and reciprocal? Or wishful thinking? Why won’t the handsome doctor leave his wife for her? How does he explain the various gifts that come to his office, with no notes, and the messages left on his phone? Should his wife believe his claims that there isn’t another woman?
This is a 2002 French film that struck us as sneaky good, one that became more intriguing and more complex the deeper we got into the plot, with its many twists and turns. Pretty cool storytelling device to have the same set of events told through the student’s eyes and the doctor’s eyes. Tautou, best known for playing the title character in Amélie, is captivating in this film as Angélique. (Thank you, Netflix.)